S is for Speaking (2)

7 05 2017

 

setting up speaking activity

photo by Ahed Izhiman

Following on from last week, here are five more of my favourite speaking activities that I included (or planned to include) in my talks in Palestine. As in the last batch, they require minimal materials, promote a good deal of productive language use, and have elements of task rehearsal and repetition built in.

 

Find someone who… This is a classic and hardly needs describing, but there are some interesting variations. It involves learners walking around (space permitting), asking all the other learners questions with a view to completing a survey or finding someone whose answers most closely match theirs. For example, in order to find out how adventurous the class is, learners (either singly or in small groups) first prepare three or four questions that fit this frame:

Have you ever …?  Would you ever…?

For example, Have you ever been sailing? (And, if the answer is No) Would you ever do it? Have you ever eaten insects? Would you ever eat them?) etc. They then survey the rest of the class, making a note of the number of affirmative answers. This will involve the repeated asking of the question(s), but in a context that requires that learners pay attention, not only to asking the right questions, but also to the answers. It is this requirement, the enforced re-allocation of attentional resources, that – in theory – encourages memorization of the forms. Reporting to the class the results of the milling activity (e.g. Maxim said he would never dive off the high board; Olga said …) is also another way of providing repetitive practice where attention is not only on meaning, but, because of the public nature of the reporting, also on form – i.e. on getting it right. Variants involve choosing items from a grid – e.g. holiday destinations, hotels, and months – and asking questions in order to find someone who is going to the same destination, staying in the same hotel, and in the same month.

Show and tell. Another classic: in successive lessons, learners take turns to make a short (two to five-minute) presentation to the rest of the class, e.g. about an interest they have, a hobby, a favourite object, a book they have read or movie they have seen. It is important than the presentation is spoken – not simply written down and read aloud. This requirement, along with the public nature of the task, encourages preparation and rehearsal. A question-and-answer session at the end ensures spontaneous language use. Ideally, learners should have a chance to repeat the presentation, either immediately or at a later date, in order to incorporate any feedback. An alternative organization is to put the students into small groups to share their ‘news’, while the teacher circulates and assists. One person from each group then reports some of the more interesting findings to the class. This is a great way to begin a lesson, and, if done regularly, trains learners to prepare in advance.

Discussion cards. Students in small groups have a set of statements or questions about a specific topic on cards. These can be prepared by the teacher, but, better still, by the students themselves, whose discussion cards can then be exchanged with another group. One student takes the first card, reads it aloud, and the group then discuss it for as long as they need, before taking the next card, and so on. If a particular statement doesn’t interest them, they can move on to the next one. The object is not necessarily to discuss all the statements: the teacher should decide at what point to end the activity. Groups who have finished early can prepare a summary of the main points that have come up. These summaries can be used to open up the discussion to the whole class.

Describe-and-draw race. The teacher pre-teaches or revises nouns relating to geometrical shapes, such as line, square, circle, triangle, and rectangle, as well as prepositional phrases such as on the left, on the right, above, below, outside, inside, so that learners can describe a simple arrangement of shapes. (Alternatively, they could be easy-to-draw objects, such as fruit, items of clothing or of furniture).

To practise, the teacher describes an arrangement so that the learners can draw it correctly. The learners do the same to each other in pairs, and/or ‘dictate’ a picture to the teacher.

communicative activity

photo by Tamar Hazam

 

Now the game element is introduced. The class is divided into two teams, and the blackboard is divided in two by a line down the middle. Each team has a representative at the board, each with a piece of chalk, or boardmarker. In advance of the game the teacher should have prepared a dozen or so different designs incorporating the geometrical shapes, large enough to be seen by all the class. The teacher ensures that the two team representatives at the board can’t see the designs, and then selects one and shows it to the two teams. Each team attempts to describe the design to its representative at the board, and the first team to do this successfully, so that the design is replicated on the board, is the winner of that round. The teacher then selects another design and the game continues, with new ‘drawers’ at the board.

Paper conversations. Not strictly a speaking activity, but one that simulates the real-time and non-predictable nature of spoken interaction, and therefore is useful preparation for it. Learners have a ‘conversation’ with their classmates, but instead of speaking, they write the conversation onto a shared sheet of paper. While the students are writing, the teacher can monitor their written ‘conversations’ and make corrections or improvements more easily than when students are actually speaking. The conversations can then be read aloud, using the ‘heads up’ procedure described in the previous post.

All these activities, and more, can be found in my book How to Teach Speaking (Pearson 2005).

 

 

 





A is for Accuracy

31 05 2015
from The Visual Thesaurus

from The Visual Thesaurus http://www.visualthesaurus.com/

Accuracy and fluency: it used to be the case that, of these two constructs, fluency was the one that was the most elusive and contentious – difficult to define, difficult to test, and only rarely achieved by classroom learners.

It’s true that fluency has been defined in many different, sometimes even contradictory ways, and that we are still no nearer to understanding how to measure it, or under what conditions it is optimally realized. See, for example F is for Fluency.

But I’m increasingly coming to the view that, of the two constructs, it is accuracy that is really the more slippery. I’m even wondering if it’s not a concept that has reached its sell-by date, and should be quietly, but forcefully, put down.

Look at these definitions of accuracy, for example:

  • “….clear, articulate, grammatically and phonologically correct” (Brown 1994: 254)
  • “…getting the language right” (Ur 1991: 103)
  • “…the extent to which a learner’s use of the second language conforms to the rules of the language” (Thornbury 2006: 2)

Correct? Right? Conforms to the rules? What could these highly normative criteria possibly mean? Even before English ‘escaped’ from the proprietorial clutches of its native speakers, by whose standards are correctness or rightness or conformity to be judged?

at the weekend

“[preposition] the weekend” from The Corpus of Global Web-based English CLICK TO ENLARGE

Take my own variety of English for example: I was brought up to say ‘in the weekend’. I found it very odd, therefore, that the coursebooks I was using when I started teaching insisted on ‘at the weekend’. And then, of course, there were all those speakers who preferred ‘on the weekend’. It was only by consulting the Corpus of Global Web-based English (Davies 2013) that I was able to confirm that, in fact, of all the ‘preposition + the weekend’ combos, ‘in the weekend’ is significantly frequent only in New Zealand, while ‘on the weekend’ is preferred in Australia. OK, fine: as teachers we are sensitive to the existence of different varieties. But if a learner says (or writes): ‘In the weekend we had a barby’, do I correct it?

Moreover, given the considerable differences between spoken and written grammar, and given the inevitability, even by proficient speakers, of such ‘deviations’ from the norm as false starts, grammatical blends, and other dysfluencies –  what are the ‘rules’ by which a speaker’s accuracy should be judged?

In fact, even the distinction between written and spoken seems to have been eroded by online communication. Here, for example, are some extracts from an exchange from an online discussion about a football match. Ignoring typos, which ‘deviations’ from standard English might be attributed to the speaker’s specific variety?

>I don’t care about the goal that wasn’t given; I care about how bad we played particularly when under pressure. Base on the performance from last three games we will be hammered when we play a “proper” decent side!! People think we are lucky to aviod Spain and get Italy but lets not forget the Italian draw Spain so they are no pushovers.

> yes we was lucky, but all teams get lucky sometimes. thats football, you cant plan a tactic for good or bad luck.

> Devic was unlucky to not have the goal allowed and the official on the line needs to get himself down to specsavers but as Devic was offside the goal should not of counted anyway. Anyway I pretty fed up with all the in fighting on here so I am not bothering to much with these blogs for the foreseeable future.

> also on sunday night i will be having an italian pizza i think it will suit the mood quite nicely

I think that the point is here that nit-picking about ‘should not of’ and ‘base on’ is irrelevant. More interestingly, it’s virtually impossible to tell if the deviations from the norm (e.g. ‘the Italian draw Spain’;’ we was lucky’; ‘I pretty fed up’…) owe to a regional or social variety, or to a non-native one. The fact is, that, in the context, these differences are immaterial, and the speakers’ choices are entirely appropriate, hence assessments of accuracy seem unwarranted, even patrician.

Unless, of course, those assessments are made by the speakers themselves. Which one does. Following the last comment, one of the commenters turns on the writer (who calls himself Titus), and complains:

>Titus. Please, please, please go back to school. Have you never heard of punctuation? What about capital letters? How about a dictionary? Sentences? Grammar?

It’s as if Titus is being excluded from membership of the ‘club’, his non-standard English being the pretext. To which Titus responds, with some justification:

> didnt know this was an english class? i am very intelligent and do not need to perform like its a spelling b on here

Which is tantamount to saying: accuracy has to be judged in terms of its appropriacy in context.

All of this has compelled me to revise my definition of accuracy accordingly. Here’s an attempt:

Accuracy is the extent to which a speaker/writer’s lexical and grammatical choices are unremarkable according to the norms of the (immediate) discourse community.

Thanks to corpora, these norms can be more easily identified (as in my ‘in the weekend’). A corpus of ‘football blog comment speak’ would no doubt throw up many instances of ‘we was lucky’ and ‘should of won’. ‘Unremarkable’ captures the probabilistic nature of language usage – that there is no ‘right’ or ‘wrong’, only degrees of departure from the norm. The greater the departure, the more ‘marked’.

The problem is, of course, in defining the discourse community. Consider these two signs, snapped in Japan last week. To which discourse community, if any, is the English part of each sign directed? Assuming a discourse community, and given its membership, are these signs ‘remarkable’? That is to say, are they inaccurate?

keep off from herewe have a maintenance

References

Brown, H.D. (1994) Teaching by Principles: An interactive approach to language pedagogy. Upper Saddle River, NJ: Prentice Hall Regents.

Davies, M. (2013) Corpus of Global Web-Based English: 1.9 billion words from speakers in 20 countries. Available online at http://corpus.byu.edu/glowbe/.

Thornbury, S. (2006) An A – Z of ELT. Oxford: Macmillan.

Ur, P. (1991) A Course in Language Teaching: Practice and theory. Cambridge: Cambridge University Press.





C is for CLT

8 03 2015

Having been trained in what might best be described as late-flowering audiolingualism, it was not until my second year of teaching that I became aware of Communicative Language Teaching (CLT) and how it represented such a radical shift from current methodology. I think it must have been the influence of the Strategies series (Abbs et al. 1975) but before long everything went functional-notional, information gap activities were the rage, and formal accuracy, along with error correction, went out the window. Bliss was it in that dawn to be alive! In fact, the advent of CLT coincided nicely with my own disenchantment with drilling and with the snail-like progress through the structural syllabus that seemed only to thwart the latent fluency of my (Egyptian) students.

Being communicative, Cairo 1976

So, what did we gain? The emphasis on language’s social function, including attention to appropriacy and register, was important, not least because – to practise ‘being social’ with language – we needed to include lots of interactive activities, such as role plays and ‘real’ conversations, into our classes. This in turn led to the idea that (perhaps, just perhaps) such activities, rather than being simply practice of previously presented language items, could be the springboard to learning itself: that is to say, that you could learn a language simply through using it. This, after all, was a core tenet of the ‘strong’ version of CLT and was an extremely powerful idea (captured in the term ‘fluency-first), influencing all my subsequent thinking on methodology.

What we lost, from the benefit of hindsight, was a ‘focus on form’. Even if you can learn a language by using it, you still need to have your attention directed to the language’s formal features, if only so that you are ‘primed’ to notice them in situations of real language use. That realization prompted my first ever IATEFL talk, which was called ‘No pain, no gain’.

But what we also lost was the communicative approach itself. I still believe that CLT was ‘betrayed’ in the mid-1980s by the revival of the grammar syllabus and the associated drift back to an accuracy-first methodology. (A subsequent talk of mine on this topic was called ‘Not waving but drowning’). I also believe that it is possible to combine a fluency-first methodology with a focus on form, so long as that focus is primarily reactive, not pre-emptive. I’ve been lucky enough to see this occur myself, in classes I’ve observed. And, of course, the view that language learning is both an emergent and scaffolded phenomenon is fundamental to what was to become Dogme ELT. Dogme ELT was really an attempt to inject new life into CLT.

So, is Dogme ELT the future of CLT? I doubt it, somehow. The commodification and marketization of education, including language education, continues unabated. Where the language English is just another curriculum subject, where it is viewed as knowledge to be learned rather than a skill to be activated, and where it is measured less by communicative competence than by the results of high-stakes testing, then there is not a lot of incentive for a fluency-first approach. In such an educational climate, concepts so fundamental to CLT as authenticity, fluency, discovery and collaboration seem outmoded, or, at best, ‘add-ons’ for those who can afford the luxury of small classes of communicatively-motivated learners. Given the appeal that still attaches to the word ‘communicative’, though, CLT will probably continue to prosper as a brand, even though its original ingredients may have long since been reconstituted.

Strategies smallReference

Abbs, B., A. Ayton, A., and I. Freebairn. 1975. Strategies: Students’ Book. London: Longman.

This was my ‘half’ of the conversation with Jeremy Harmer that we ‘performed’ at the IATEFL Conference in Harrogate in April 2014, and which is written up in IATEFL 2014 Harrogate Conference Selections, edited by Tania Pattison (Faversham, Kent: IATEFL 2015).

 

 

And here is a video of the conversation when it was first aired, at The New School, NY, in July 2013:

 





The End

9 06 2013

So this is it, folks: I’m closing down the blog for the summer… and for good. After 3 years, 150 posts, nearly 7000 comments, and innumerable hits, visits, views, however you want to describe and count them, plus one e-book spin-off (but no sign of a second edition of An A-Z!), I think it’s time to call it a day.

But that’s not the end of blogging.  In the autumn (or in the spring, if that’s your orientation) I’ll be resuming with an altogether different theme and format, provisionally titled The (De-)Fossilization Diaries.  Watch this space!

At some point between now and then I’ll lock the comments on this blog, but it will hang around a little longer. If you think you might miss it if it suddenly disappeared, you could always buy the book! 😉

Meanwhile, thanks for following, commenting, subscribing, tweeting… I have so enjoyed hosting this blog, not least because of the active and widely-distributed online community that has grown up around it. Blogging is my favourite medium by far, and, despite claims to the contrary by some curmudgeons, it seems to be very much alive and well.

bunyolsNow, to give you something to chew on over breakfast, I’ve done a quick cut and paste of some of the one- (or two-) liners that capture many of the core themes of this blog. (You can hunt them down in context by using the Index link above).

1. If there are no languages, only language, what is it that we teach? … The short answer, perhaps, is that we would facilitate a kind of creative DIY approach – semiotic bricolage, perhaps – by means of which learners would become resourceful language users, cutting and pasting from the heteroglossic landscape to meet both their short-term and their long-term goals. (L is for Language)

2. The tension – and challenge – of successful communication is in negotiating the given and the new, of exploiting the predictable while coping with unpredictability. To this end, a phrasebook, a grammar or a dictionary can be of only limited use. They are a bit like the stopped clock, which is correct only two times a day. (M is for Mobility)

3. Creating the sense of ‘feeling at home’, i.e. creating a dynamic whereby students feel unthreatened and at ease with one another and with you, is one of the most important things that a teacher can do. (T is for Teacher Development)

4. A reliance on the coursebook IN the classroom does not really equip learners for self-directed learning OUTSIDE the classroom, since nothing in the outside world really reflects the way that language is packaged, rationed and sanitised in the coursebook.(T is for Teacher Development)

5. The language that teachers need in order to provide and scaffold learning opportunities is possibly of more importance than their overall language proficiency (T is for Teacher Knowledge)

6. A critical mass of connected chunks might be the definition of fluency. (Plus of course, the desire or need to BE fluent). (T is for Turning Point)

7. Education systems are predicated on the belief that learning is both linear and incremental. Syllabuses, coursebooks and tests conspire to perpetuate this view. To suggest otherwise is to undermine the foundations of civilization as we know it. (T is for Turning Point)

8. If I were learning a second language with a teacher, I would tell the teacher what I want to say, not wait to be told what someone who is not there thinks I might want to say. (W is for Wondering)

9. Irrespective of the degree to which we might teach grammar explicitly, or even base our curriculums on it, as teachers I think we need to know something about it ourselves. It’s part of our expertise, surely. Besides which, it’s endlessly fascinating (in a geeky kind of way). (P is for Pedagogic grammar)

10. Every language divides up the world slightly differently, and learning a second language is – to a large extent – learning these new divisions.(P is for Pedagogic grammar)

11. The meaning of the term student-centred has become too diffuse – that is to say, it means whatever you want it to mean, and – whatever it does mean – the concept needs to be problematized because it’s in danger of creating a false dichotomy. (S is for Student-centred)

12. There is a responsibility on the part of teachers to provide feedback on progress, but maybe the problem is in defining progress in terms of pre-selected outcomes, rather than negotiating the outcomes during the progress. (O is for Outcomes)

13. Language learning, whether classroom-based or naturalistic, whether in an EFL or an ESL context, is capricious, opportunistic, idiosyncratic and seldom amenable to external manipulation. (P is for Postmodern method)

14. I have no problem with the idea of classes – in fact for many learners and teachers these can be less threatening than one-to-one situations – but I do have a problem with the way that the group learning context is moulded to fit the somewhat artificial constraints of the absentee coursebook writer. (P is for Postmodern method)poached eggs nov 2012

15. The idea that there is a syllabus of items to be ‘covered’ sits uncomfortably with the view that language learning is an emergent process – a process of ‘UNcovering’, in fact. (P is for Postmodern method)

16. This, by the way, is one of [Dogme’s] characteristics that most irritates its detractors – that it seems to be a moving target, constantly slipping and sliding like some kind of methodological ectoplasm. (P is for Postmodern method)

17. The ‘mind is a computer’ metaphor has percolated down (or up?) and underpins many of our methodological practices and materials, including the idea that language learning is systematic, linear, incremental, enclosed, uniform, dependent on input and practice, independent of its social context, de-humanized, disembodied, … and so on. (M is for Mind)

18. Is there no getting away from the fact that classrooms are just not good places to learn languages in? And that, instead of flogging the present perfect continuous to death, it might not be better simply ‘to take a walk around the block’? (A is for Affordance)

19. If automaticity is simply the ability to retrieve memorised chunks, this may result in a repertoire that is fast and accurate, but functional only in situations of the utmost predictability. Fine, if you’re a tourist – just memorise a phrase-book. But for a more sophisticated command of language – one that is adaptable to a whole range of situations – you need to be able to customise your chunks. In short, you need to be creative. Hence, creative automaticity. (A is for Automaticity)

20. Technosceptics, like me, happily embrace technology in our daily lives, but are nevertheless a little suspicious of the claims made, by some enthusiasts, for its educational applications – claims that frequently border on the coercive. (T is for Technology)

21. As edtech proponents tirelessly point out, technology is only a tool. What they fail to acknowledge is that there are good tools and bad tools. (T is for Technology)

22. Another bonus, for me, of the struggle to dominate a second (and third, fourth etc) language has been an almost obsessive interest in SLA theory and research – as if, somewhere, amongst all this burgeoning literature, there lies the answer to the puzzle. (B is for Bad language learner)

23. ‘Fluency is in the ear of the beholder’ – which means that perhaps we need to teach our students tricks whereby they ‘fool’ their interlocutors into thinking they’re fluent. Having a few well rehearsed conversational openers might be a start…. (B is for Bad language learner)

24. I’ve always been a bit chary of the argument that we should use movement in class in order to satisfy the needs of so-called kinaesthetic learners. All learning surely has kinaesthetic elements, especially if we accept the notion of ‘embodied cognition’, and you don’t need a theory of multiple intelligences to argue the case for whole-person engagement in learning. (B is for Body)

25. I agree that learners’ perceptions of the goals of second language learning are often at odds with our own or with the researchers’. However, if we can show [the learners] that the communicative uptake on acquiring a ‘generative phraseology’ is worth the initial investment in memorisation, and, even, in old-fashioned pattern practice, we may be able to win them over. (C is for Construction)

26. How do we align the inherent variability of the learner’s emergent system with the inherent variability of the way that the language is being used by its speakers? (V is for Variability)

27. The problem is that, if there is a norm, it is constantly on the move, like a flock of starlings: a dense dark centre, a less dense margin, and a few lone outliers. (V is for Variability)

28. Think of the blackbird. Every iteration of its song embeds the echo, or trace, of the previous iteration, and of the one before that, and the one before that, and so on. And each iteration changes in subtle, sometimes barely perceptible, ways. But the net effect of these changes may be profound. (R is for Repetition [again])

29. Diversity is only a problem if you are trying to frog-march everyone towards a very narrowly-defined objective, such as “mastering the present perfect continuous.” If your goals are defined in terms of a collaborative task outcome … then everyone brings to the task their particular skills, and it is in the interests of those with many skills to induct those with fewer. (E is for Ecology)

30. Teaching […] is less about navigating the container-ship of the class through the narrow canal of the coursebook/syllabus than about shepherding a motley flotilla of little boats, in all weathers, across the open sea, in whatever direction and at whatever speed they have elected to go. (P is for Postmodern method)

the-end-03





A is for Automaticity

26 02 2012

Class photo: thanks to Lucy Bodeman

I have a debt to repay.

Sometime in the late eighties I attended a talk given by Stephen Gaies (the then editor of TESOL Quarterly) at the North American Institute in Barcelona. The topic was fluency. Apart from being an excellent speaker with a good line in personal anecdote, Gaies made an indelible impression by outlining, and demonstrating, a set of criteria for the design of activities that target ‘creative automatization’.

Automaticity (and I’m using automaticity in preference to automatization only because it’s marginally easier to pronounce) is defined in An A-Z of ELT as the ability to perform a task ‘without conscious or deliberate effort’:

In language speaking terms, this automatization process means being able to draw on a set of memorised procedures in order to take part in real-time interaction. Without these procedures (or routines) you would have to assemble each utterance from scratch, word by word, at the obvious expense of fluency.

Notice that I talk about ‘memorised procedures’ rather than ‘memorised chunks’. Because if automaticity is simply the ability to retrieve memorised chunks, this may result in a repertoire that is fast and accurate, but functional only in situations of the utmost predictability. Fine, if you’re a tourist – just memorise a phrase-book. But for a more sophisticated command of language  – one that is adaptable to a whole range of situations – you need to be able to customise your chunks. In short, you need to be creative. Hence, creative automaticity.

In his workshop, Stephen Gaies put a strong case for activities that were communicative – in the sense that there was a genuine desire to communicate – but that were also narrowly focused and formulaic – in the way that old-fashioned pattern-practice drills used to be.

As an example, he described the ‘Class photo’ activity, in which the students take turns to ‘pose’ the group, requiring the use of such ‘partly-filled constructions’ as V, stand next to W; X, stand behind Y;  Z, kneel in front of V, and so on. Once posed, the class photo is taken.

Sonia Omulepu and her class

The language that the task generates is communicative, in the sense that it is purposeful and reciprocal,  but also formulaic, while allowing a degree of creativity within relatively tight constraints. Moreover, there is lots of built-in repetition.  Gaies added that, by timing the class photo just ten minutes before the end of the lesson, an extra element of urgency is added, which is also conducive to the development of automaticity.

I was so taken by this idea, and the principles on which it was based, that I failed to register who first thought of it, assuming it was Gaies himself. The five criteria for creative automaticity became a staple of my teacher training sessions, and worked their way, re-phrased and unattributed, into the section on fluency in How To Teach Grammar. These criteria are:

Activities [that promote creative automatization] should be …

1. genuinely communicative  i.e. require students to make use of utterances as a result of a task-related need, rather than simply for the purpose of saying something.

2. psychologically authentic i.e. require students to allocate attentional resources to both the encoding and decoding of language, and to the effect of that language on events.

3. focused i.e. organised around one or a few functions and notions so as to establish particular utterances as characteristic exponents of particular functions/notions.

4. formulaic i.e. utterances must be short, memorizable, and multi-situational.

5. inherently repetitive

Ever since, I have been ‘collecting’ activity types that match these criteria. The classic Find someone who… is an obvious candidate, as are many guessing games, such as What’s my line? or What kind of animal am I? (“Do you have four legs? Can you fly? Do you lay eggs?” etc).

Going native, Cairo 1976

It was only last week, to my shame, that I accidentally discovered who originated these principles, including the ‘class photo’ idea. It appears in an article by Elizabeth Gatbonton and Norman Segalowitz, published in the TESOL Quarterly in 1988. As editor of that journal, Gaies would surely have mentioned this fact, but I was too dim to notice. Hence the debt I need to repay.

Over 20 years later the article still stands the test of time. The challenge of devising tasks that develop automaticity through the rehearsal and real-time deployment of memorised procedures is still as topical as ever – maybe even more so, as increasing credence is given to the view that fluency involves the seamless interweaving of both the second-hand and the new, of the formulaic and the creative, of phrase and grammar.

Reference

Gatbonton, E. and Segalowitz, N. (1988) ‘Creative automatization: Principles for promoting fluency within a communicative framework’, TESOL Quarterly, 22, 3.





C is for Communicative

15 08 2010

A communicative activity- Teaching Practice at the New School this summer

The term communicative is applied fairly loosely.  Typically it’s used to describe any activity in which learners are interacting with one another. So, a coursebook activity in which learners perform a scripted dialogue, or a minimal pairs activity which involves pairs pronouncing words to one another and identifying the appropriate picture on a worksheet, might both be labelled  ‘communicative’. No wonder, therefore, that the term communicative approach has become so elastic as to embrace any methodology that foregrounds speaking in pairs or small groups.

But, strictly speaking, communicative means more than simply interactive. In An A-Z of ELT I list the features of a communicative activity as being the following:

  • purposefulness: speakers are motivated by a communicative goal (such as getting information, making a request, giving instructions) and not simply by the need to display the correct use of language for its own sake;
  • reciprocity: to achieve this purpose, speakers need to interact, and there is as much need to listen as to speak;
  • negotiation: following from the above, they may need to check and repair the communication in order to be understood by each other;
  • synchronicity: the exchange – especially if it is spoken – usually takes place in real time;
  • unpredictability: neither the process, nor the outcome, nor the language used in the exchange, is entirely predictable;
  • heterogeneity: participants can use any communicative means at their disposal; in other words, they are not restricted to the use of a pre-specified grammar item.

The archetypal communicative activity is the information gap task (of the type that the students are doing in the picture above) where Student A has some information and Student B has some other information, and the task requires that they share this information in order to achieve the designated outcome. Describe and DrawSpot the Difference and Find Someone Who... are all examples of information gap activities that meet the criteria outlined above.

But what is their particular merit over, say, activities – such as rehearsing a scripted dialogue or playing a game like Pelmanism –  that are interactive but not strictly communicative? The standard argument (and a key tenet of the communicative approach) is that such activities better reflect the way language is used in the ‘real world’. A corollary to this view (and a core principle of task-based instruction) is that language is best acquired through such life-like language exchanges.  Cognitive theorists might add that the attention to meaning required in communicative interaction requires that learners ‘park’ their concern for formal accuracy, and thereby develop strategies – such as ‘chunking’ – that promote fluency.

None of these arguments is necessarily proven nor conclusive: for a start, it’s debatable whether info-gap activities truly replicate real-life language use – when did you last ‘describe and draw’ something, for instance?  And the argument that classroom interaction should model authentic language use overlooks the fact that classrooms, by their nature, have their own discourse norms and practices which may be quite different from “real-life”.  Finally, isn’t there a danger that – if the concern for formal accuracy is ‘parked’ indefinitely – the learner’s overall proficiency might be at risk? (See the post on P for Push, for more on this theme.)

On the other hand, there also seems to be a good case for arguing that only life-like language use can tap into the cognitive and affective factors that both motivate and nurture language acquisition. But this presupposes that  the communication matters: that it is both contingent – i.e. it connects to the real-world in some way – and engaging: that it engages the learners’ needs, interests, concerns and desires. In short, the learner needs to have some personal investment in the communication. This is what I have sometimes referred to as big-C Communication, as opposed to the kind of small-c communication that is characterised by the six criteria above. The difference between big-C and small-C communication seems to underpin this comment by Legutke and Thomas (1991):

In spite of trendy jargon in textbooks and teacher’s manuals, very little is actually communicated in the L2 classroom. The way it is structured does not seem to stimulate the wish of learners to say something, nor does it tap what they might have to say. … Learners do not find room to speak as themselves, to use language in communicative encounters, to create text, to stimulate responses from fellow learners, or to find solutions to relevant problems (pp 8-9).

So, in order to capture the defining qualities of big-C Communication, I would add the following to my list:

  • contingency: the speakers’ utterances are connected, both to one another, and to the context (physical, social, cultural, etc)  in which they are uttered;
  • investment: the speakers have a personal commitment to the communication and are invested in making it work.

How you achieve these worthy goals is, of course, another matter!

Reference:

Legutke, M. and H. Thomas. 1991. Process and Experience in the Language Classroom. Harlow: Longman.





F is for Fluency

17 12 2009

Jeremy Harmer recently asked – on Twitter – for opinions as to why some learners achieve high degrees of fluency, while others do not. I wanted to reply that any answer to that question depends on how you define fluency – and then I would go on to attempt to define it. But the 140-character restriction of Twitter proved too much, so I thought I’d blog it instead.

As I found when I tried to define it in the A-Z, fluency is one of those elusive, fuzzy, even contested, terms that means different things to different people. In lay terms, a “fluent speaker of French” is probably someone whose French is judged as accurate, easy on the ear, and idiomatic. The term, however, was co-opted by methodologists (especially those aligned to the communicative approach) to describe the purpose of classroom activities whose focus is on communicating meaning, rather than on the practice of specific (typically grammatical) forms. Thus, Brumfit (1984) said that “the distinction between accuracy and fluency is essentially a methodological distinction, rather than one in psychology or linguistics”. And added, “fluency…is to be regarded as natural language use, whether or not it results in native-speaker-like language comprehension or production”. The problem with this definition, though, is that it is very difficult to operationalise, especially from the point of view of testing. What exactly is “natural language use”, how do you contrive it in the classroom, and how do you assess it (especially if you are discounting native-speaker-like models as your benchmark)? As a term, fluency becomes difficult to disentangle from related concepts, such as intelligibility, coherence, communicative effectiveness, and so on.   

To counter this fuzziness, various researchers, working in a cognitive tradition, attempted to characterise it in measurable terms. Thus, Ellis and Barkhuizen (2005), following Skehan (1998), define fluency as “the production of language in real time without undue pausing or hesitation.”  That is to say, it is a ‘temporal phenomenon’. Well and good. This is something we can measure.

Confusingly, though, they go on to say that “fluency occurs when learners prioritize meaning over form in order to get a task done”. This to me seems patently false: getting a task done is no guarantee that there is no “undue pausing or hesitation”. On the contrary, the effort involved in performing a task may actually increase the degree of dysfluency. And nor is attention to meaning a pre-condition for pause-free production. Some of our most fluent productions, as proficient speakers, are texts that we have committed to memory (tongue twisters, nursery rhymes, prayers, oaths of allegiance, etc) that we can trot out without ANY attention to meaning.

In fact, it may be that fluency is indeed a function of memory, and that the capacity to produce pause-free speech in real time is contingent on having a memorised bank of formulaic language “chunks” – a view that was first put forward as long ago as 1983 by Pawley and Syder in their seminal paper, ‘Two puzzles for linguistic theory: nativelike selection and nativelike fluency’. Well, I used to say that it was P & S who ‘first put forward’ this view. And then I discoverd more recently that the great Harold Palmer, as even longer ago as 1925, identified ‘the fundamental guiding principle for the student of conversation’ as being “Memorize perfectly the largest number of common and useful word-groups!

If this is in fact the case, as teachers interested in developing fluency, we might need to:

1. clarify the concept of  what a ‘word group’ is;
2. select those word groups that are both common and useful;
3. set a target that represents the largest practicable number;
4. decide what the criteria for perfect memorization might be;
5. devise and teach strategies that promote memorization of word groups;
6. devise activities what provide opportunities for learners to activate what they have memorized, without undue pausing or hesitation, in ways that replicate real language use.

Is this a tall order?